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文章摘要
刘海 刘燕 孙炜唯 申盼 杨玉婷.中国传统音乐审美与中医思维[J].江西中医药大学学报,2025,37(5):98-101.
中国传统音乐审美与中医思维
Aesthetics of Chinese Traditional Music and the Thought Patterns of Traditional Chinese Medicine
  
DOI:10.20140/j.2095-7785.2025.05.23
中文关键词: 中国传统音乐审美;中医思维;天人合一;阴阳五行
英文关键词: Aesthetics of Chinese Traditional Music; Thought Patterns of Traditional Chinese Medicine; Unity of Heaven and Humanity; Yin-Yang and Five-Element Theory
基金项目:江西省教育科学“十四五”规划项目(22YB155);江西省高校人文社会科学研究项目(ZGW24203)。
作者单位
刘海 刘燕 孙炜唯 申盼 杨玉婷 江西中医药大学 南昌 330004 
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中文摘要:
      中国传统音乐审美与中医思维之间存在深层契合,这主要体现在三方面:一是以“天人合一”为哲学根脉,音乐律 吕系统与中医藏象学说共同遵循“法于阴阳”的宇宙认知,因而形成自然节律的双重反映体系,这种同源性进而推动音乐治 疗与中医养生在身心调适中的深度融合;二是以“阴阳五行”为符号纽带,五音与五行、五脏通过“声 - 行 - 脏”三维体系 建立关联,其“生克制化”的调节逻辑既贯穿音乐的“五音配伍”审美法则,也支撑中医的“藏象辨证”诊疗逻辑,由此实 现数理模拟、符号互文与器用实践的同构;三是以“气韵生动”为生命内核,音乐的“声气相求”审美范式与中医的“气机 升降”诊疗思维通过共通介质“气”,共同构建起生命活力的动态表达系统,最终指向“致中和”的身心合一境界。通过跨
英文摘要:
      The profound convergence between the aesthetics of traditional Chinese music and the thought patterns of TCM manifests through three core dimensions rooted in shared philosophical foundations. Traditional music and TCM both originate from the cosmic worldview of the Unity of Heaven and Humanity, where music's tonal system and the Zang-Xiang theory of TCM adhere to the natural rhythms of Yin and Yang, creating a dual resonance system that integrates music therapy with TCM health preservation for holistic mind-body harmony. Furthermore, the symbolic framework of the Five Elements bridges music's Five Tones with TCM's Five Zang Organs via a "Sound-ElementOrgan" triaxial system; the regulatory logic of generating, restraining, transforming, and balancing underpins both musical aesthetics of Five-Tone Compatibility and TCM's diagnostic approach of Zang-Xiang Syndrome Differentiation, enabling isomorphic integration of mathematical modeling, symbolic intertextuality, and clinical practice. Likewise, Vital Qi serves as the life essence unifying both fields: music's aesthetic paradigm of Sound-Qi Resonance and TCM's clinical concept of Qi Movement Ascending-Descending converge through Qi as the dynamic medium, constructing a shared vitality-expression system that guides individuals toward Harmonized Equilibrium—the ultimate unity of physical and spiritual wholeness. This interdisciplinary analysis reveals deep philosophical and methodological synergies, offering novel insights into the mutual resonance of traditional Chinese music aesthetics and the thought patterns of TCM.
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